Consultants, lawyers and admin soak up Lyndoch millions

Consultants, lawyers and administration costs continue to soak up millions at Lyndoch Living. Image: Forbes

Carol Altmann – The Terrier

Lyndoch Living spent $1.2 million on consultants and lawyers in 2020, and at least another $3 million on its ever-expanding administration.

A deeper dive into the 2020 financial figures reported to the Australian Charities and Not for Profit Commission show Lyndoch has spent at least $1 million a year for the past three years – a total of $3.34 million – on legal fees, consultancies and auditors.

That $3.34 million over three years is more than the food budget for the 200 to 240 residents, but more on that shortly.

Behind the scenes at Lyndoch, a steady stream of consultants has been working on the $100 million masterplan, including – as I understand it – around $99,999 and 99 cents paid to one consultant for the business plan for the medical clinic that will be built on site later this year.

We haven’t seen that business plan, but we can only trust that it’s a good one, because Lyndoch is going into the uncharted waters of borrowing big to finance the estimated $23 million cost.

At the same time, Lyndoch’s administration costs are now more than $3 million a year, compared to $2.5 million in 2015.

The admin budget is hard to follow from year to year, because it keeps bouncing around the balance sheet like a bee in a bottle.

In 2018, it was $3.3m.

In 2019, it suddenly fell to $1.94m after an adjustment or “restatement”.

In 2020, it was back up to $3.07m.

While the figures are subject to the vagaries of various accounting methods, one thing we do know is that the number of admin staff at Lyndoch has gone up.

As has already been reported here, admin staff at Lyndoch shot up from 37 in 2016 to around 60 in 2018, and several other, highly paid souls have joined since.

(Since 2018, Lyndoch no longer publishes a staff breakdown of how many people work in each area.)

In addition to these costs, just under another $1 million has been spent in the past three years on advertising and marketing, including Lyndoch’s sponsorship of the grand annual jumps race at the Warrnambool May Races.

This sponsorship, which was renewed in 2019 and now runs until 2022, was designed to promote its Waterfront Living apartments.

I am yet to hear of anyone buying one of the apartments because they were at the races, but perhaps in between punts they were persuaded.

As it happens, the last of the apartments were sold at heavily discounted prices late last year so Waterfront could finally reach full occupancy.

But enough of the fascinators and corporate suits, what of the budget for residential care?

This brings us back to the kitchen.

I always like to check how much is being spent on food, given this – unlike the races – really is the core business of an aged care home.

In 2019, Lyndoch spent $1.2m on food for around 200 residents, or about $16.50 per resident, per day.

In 2020, this had risen to $1.44m, which looks good on paper, but Lyndoch has also since bought the May Noonan Hostel in Terang, so the number of residents has also increased to around 240.

This means the food budget works out to be the same – around $16.50 per resident, per day.

That is around $6000 in food per resident, per year.

(I suspect the various legal battles funded by Lyndoch against The Terrier have cost the equivalent of that per month.)

Again, I provide this information so the community, which owns Lyndoch, can keep an eye on its direction and priorities behind the marketing and public relations. If you wander over to the Australian Charities and Not for Profit Commission, you can check it all out for yourself.

In the meantime, we keep digging.

More soon.

 




WCC advertises for new CEO as court hearing looms

Carol Altmann – The Terrier

Will it be a new face, or an old face? The Warrnambool City Council recruitment of a new CEO has officially begun.

The  job advert has gone out, just four days before a Supreme Court hearing which will decide whether the former CEO, Peter Schneider, could get his old job back.

The advert was posted online yesterday by top local government recruitment firm, McArthur, with applications closing on 15 February.

On Monday, however, the judicial review into Mr Schneider’s sacking begins and will sort out one way or the other whether he was denied natural justice when he was dumped by the former council in July last year.

If the judge rules in Mr Schneider ‘s favour, then the new council will have to decide whether they will rehire him.

No witnesses will be called for Monday’s hearing, with a judge instead deciding the case on the written evidence and affidavits put before them.

We can only hope the judgment is made quickly, for the sake of Mr Schneider, the new councillors who inherited this mess, and the good people of Warrnambool, all of whom have been sitting in the equivalent of a Jetstar flight circling over and over the airport, unable to land because of turbulence.

I asked the council spokesman and Mayor Vicki Jellie today how the council could start advertising for a new CEO, when the former CEO is still yet to learn his fate?

The response was that, under the Local Government Act, the WCC is legally bound to get things moving and must “…make a permanent appointment to the position of Chief Executive Officer as soon as practicable after a vacancy in the position occurs”.

“Given the then impending elections, and the intervening caretaker period, an earlier appointment was not a feasible option,” the statement said.

But, the statement added, ” the appointment of a CEO is a priority for the new councillors”.

I bet it is.

The whole process from here will be overseen by the council’s  CEO Employment Matters Committee, which will also have all new faces at the table, including Mayor Jellie, two councillors and an independent chair.

This chair is being recruited as we speak and will be in place after the 1 March council meeting.

Monday also marks the first council meeting for 2021 and, I feel, when the real work begins for this new council.

They have a lot to clean up: appointing a chief who can finally land that plane, get us all through customs, and get Warrnambool out into the fresh air is the first of them.

Only then can our city move on.




Rare Fletcher Jones images inspire top artist

[printfriendly]

MC room 1948
Just one of the wonderful images: Workers in the main sewing room at the then-newly opened Fletcher Jones factory at Pleasant Hill, Warrnambool, in 1948.

By Carol Altmann

[dropcap style=”font-size: 60px; color: #A02F2F;”] A[/dropcap] treasure trove of rare images capturing the lifespan of the Fletcher Jones story is poised to be the focus of a series of artworks by noted Warrnambool artist, Glenn Morgan.

More than 100 images are contained on three CDs given to Glenn by the late David Jones – son of Sir Fletcher – about eight years ago when the pair were sitting on the Warrnambool Art Gallery Advisory Board.

join us2

“I’d made a couple of pieces around the Fletcher Jones theme and so David turns up with these three discs of images that he said I could have, so I put them to one side thinking I would take a proper look one day,” Glenn explains.

[box]Subscribers can access more images from this extraordinary archive here.[/box]

“I have always been interested in doing a sculpture reflecting the Fletcher Jones’ floats in the Florado festival (an annual Warrnambool street festival that started in the late 1950s) and so I started browsing the images on the discs and thought, bloody hell, there is some good stuff in here!”

Parade 30s - 2
“A dash of Cold War spy”: a Fletcher Jones’ fashion parade in the 1930s, possibly staged at the Warrnambool Town Hall?

[dropcap style=”font-size: 60px; color: #A02F2F;”]G[/dropcap]lenn is not exaggerating.

The photographs provide a literal snapshot of the growth and the hey-day of the Fletcher Jones story, from Sir Fletcher’s humble beginnings as a hawker, to the beginning of the last great years of the Pleasant Hill factory the late 1980s.

There are images of window displays, fashion parades, staff parties, the legendary Christmas picnics, the construction and opening of the Pleasant Hill site, family shots, staff shots, FJ sports teams, samples of early advertising and some of the many social and community causes that the Jones’ family supported.

“There is some really interesting stuff and it takes in not only Warrnambool, but Fletcher Jones in Adelaide, in Hobart, in Collins St,” Glenn says.

“The more you delve into it, the story just gets richer and richer.”

B ball Team 1946
The Fletcher Jones basketball team from 1946. Do you recognise any of these faces? If so, let us know in the comments box below.

[dropcap style=”font-size: 60px; color: #A02F2F;”]G[/dropcap]lenn has already started to seek private and public funding to build a new body of work from a series of images he has selected from the 100-plus.

“I would, ideally, like to spend a couple of years just working purely on this project – an FJ project – leading up to an exhibition at the factory itself, and then touring to Melbourne and Sydney,” he says.

“Funding, of course, is always the issue but I am applying for grants as we speak and hope to get some funding on board.”

glenn_morgan
Artist Glenn Morgan, known for his quirky sculptures, hopes to produce a body of work around the rare Fletcher Jones images.

The art project would also sit alongside the ongoing Fletcher Jones community storytelling project, coordinated by Julie Eagles, and the archiving of the Fletcher Jones industrial story by Melbourne University Archives, led by Melinda Barrie.

“It is such a great story, a very Warrnambool story, and I would love to be able to tell a part of it,” Glenn says.

Glenn and fellow artists Barry Tate and Jenny Altmann all run individual art classes at the former Fletcher Jones factory, with Jenny and Barry recently launching the Outlaw Gallery in the same space.

[box]Read our earlier profile on Glenn Morgan here.[/box]

newsletter Eat And Drink StonesYou might also enjoy…

 

Rare images of the FJ silver ball

Uncovered: Rena Jones’ lovely letter to the people

W’bool losing its character brick by brick

Montgomery buys a slice of ‘Motang’ history