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Bluestone columnist and architect CLINTON KRAUSE previously worked in Daylesford before relocating his business to Warrnambool. Clinton explores the retro styles that gives our region so much character.

With family roots going back to the settlement of Port Fairy and a long association with retailing in the region, Claire and Tony Drylie are well known throughout the district.

Claire’s emergence as an artist has also brought her work to the attention of our arts community and her intriguing dioramas assembled from religious iconography, retro kitsch and other plastic flotsam and jetsam also just happen to provide a hint of the private lives of this dynamic couple.

I recall my first visit to their home as a visual feast of colour, chaos and clutter that nearly threatened to overwhelm the senses.

It is as if Tony and Claire are actually residing within one of Claire’s complex art assemblages.

An extensive collection of pottery, retro furniture and art sits cheek-to-cheek with the ephemera of kitsch tourism souvenirs, plastic dolls and other miniatures.

Grouped collections of hats, pottery, clocks, genie bottles, cats, Madonnas, donkeys, lamps, ice buckets, and tea sets occupy every available nook and cranny.

The mayhem extends out into the garden where a mob of concrete kangaroos greet you at the entry, metal work sculptures adorn every wall, and pots of every size and colour contain curiously shaped cacti and other exotic plants.

To say that ‘Tony and Claire “like to collect” is an understatement and I set about uncovering the origins of this passion.

“It started with a pot in Tasmania,” reveals Claire.

Knowing nothing about Australian pottery at the time, she was captivated by the strong colours of the glaze and the unusual soft and rounded form.

Further research lead to an appreciation and interest in Australian pottery which sparked the pursuit of unusual, quirky and interesting pieces.

This lead to regular visits to local auctions and garage sales throughout the southwest, where the couple’s interest expanded to other areas such as retro furniture, wall art, ceramics and anything that had a certain style or quality of design.

Claire’s artistic eye for great design and a bargain was put to good use when she started selling pieces at a small stall in the Drill Hall at Port Fairy.

Whilst hugely popular with the buyers, Claires mix of retro, kitsch and shabby was at odds with the “serious and staid”  antique collections of the other stallholders and when a chance came to open her own shop back in Warrnambool, the couple jumped at it.

With Tony out the back restoring timber furniture and Claire filling the walls of the commodious space in Fairy Street, their business ‘Alternative Antiques’ became a must-visit destination amongst tourists and locals alike.

Fast forward to 2010 and with the couple having kept the supply and restoration of  inventory going for well over 10 years, it was time to move on.

The shop had become such an institution that Claire recalls loyal clientele actually getting a bit “bolshy” and emotional when told that the couple were winding down.

During the years of the business, a vast repository began to accumulate – a common practice at most auctions is to offer the best pieces thrown in together with ‘job lots’ of items that are impossible to sell.

Claire’s boundless creative energy found a use for all this detritus and she began to experiment with boxed dioramas of religious items, small scale figures and other items that, when assembled, create a narrative for the viewer to explore and interpret.

She is now establishing herself as an artist with the ongoing exploration and evolution of these unique installation pieces and was awarded the runner up prize at the inaugural Southwest International Women’s Day Art Prize in 2015.

This knack for arrangement has been given full flight in the styling of their home and the walls are adorned with montages and groupings of both themed and disparate objects which all seem to come together in a visually pleasing symphony of colour, form and wit.

Oh, and the story of the shell dolly?

Well, there was a girl down the road who had the most beautiful doll young Claire had seen and despite insistent pleas to her mother, it was dismissed as being far too kitsch and common to be bestowed as a gift.

All is good now though, because Claire has a whole shelf of shell dollies, and shell boomerangs, and souvenirs, and hats, figurines, seats, vases, masks, radios, lamps, pots , prints, cushions, caravans, clocks, tea sets, dinnerware, ice buckets, robots…………………………………………

Former second-hand dealer TONY DRYLIE is a natural collector of unique and interesting objects, but when it comes to choosing a particularly special collection, he couldn’t go past his set of small drawers:

[dropcap style=”font-size: 60px; color: #ABCCAB;”] T [/dropcap]hey say necessity is the mother of all invention and a collection of small drawers and cabinets demonstrates how “storage needs” were dealt with well before Bunnings or Mitre 10.

Former Warrnambool second-hand dealer Tony Drylie has been collecting unique miniature drawers and cabinets for about 30 years and has more than a dozen, one-off pieces that span more than a century.

“The first one I bought was a birthday present for my wife, Claire, and it went from there,” he said, pointing to the beautiful kauri pine miniature wardrobe that remains one of the most striking pieces in his collection.

The wardrobe is not a functional piece, but perhaps a practice item for an apprentice. Others in the collection, however, were built purely for utilitarian purposes.

A series of steel sardine cans (remember them?) have been recycled into a series of small drawers for nails and screws, another was built as a rustic first aid kit and medicine cabinet, while another, much more refined-looking cabinet was designed to contain smoking pipes and tobacco: it even comes with a lock and key.

[dropcap style=”font-size: 60px; color: #ABCCAB;”] T [/dropcap]ony believes the oldest pieces date back to the late 1800s, while others reflect the Great Depression, when everything was re-used and recycled, including old industrial crates and boxes that were turned into furniture.

“I really like the fact that someone has sat down and gone to the effort of making it, usually out of second-hand timber, or whatever they had lying around, like the old steel sardine cans,” Tony said.

The collection unites Tony’s interest in the skill of fine woodcraft and his love of history.

“It would be really great to know the story behind each one: to know who built it and why,” he said.

[dropcap style=”font-size: 60px; color: #ABCCAB;”] O [/dropcap]ne of his most precious pieces, however, is from his own family and is a wooden money box with moving parts that his grandfather made for Tony’s late father, Bill. While it is showing signs of age, Tony intends to make only minor repairs, as he does with all of the pieces.

“Most of them are in original condition, which is how I like to keep them, rather than lose their authenticity,” he said.

While Tony is no longer officially in the second-hand business, he hasn’t given up scouring clearing sales, auctions and garage sales for the occasional treasure.

When asked if his collection of miniature drawers was complete, he gave the reply that any true collector will give: “Oh no! Not by a long shot!”

[box] Do you have a treasure? It might be sentimental, it might be valuable, it might be part of a collection, or it might be something you just can’t live without. If you have a treasure that we can feature here, let us know! Email us at editor@bluestonemagazine.com.au[/box]

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[dropcap style=”font-size: 60px; color: #A02F2F;”] W [/dropcap]hat we love about our quiet hero section is that we get to celebrate people doing things that might not always make the news: the small things, the little things that often go unnoticed or happen without much fuss.

This week our quiet heroes are Claire and Tony Drylie, who are well-known around Warrnambool for their kindness, their cheerfulness and, in recent years, their involvement in the grassroots arts scene.

While Claire is an artist, Tony is usually not far from the action, helping keep track of the finances (as he did with the former Quarry studio), or carting some piece of equipment from here to there in his four-wheel drive.

In the past few days, the pair has been involved in putting the final touches to an art project Claire has developed with art teacher Kathryn McMeel at St Joseph’s Primary School, where each of the 180 children in grades five and six have created small ‘portrait’ boxes that they have fitted out with objects that they believe capture who they are.

Imagine a chocolate box, without the lid, and a tiny, individual world created inside: a child’s world.

[dropcap style=”font-size: 60px; color: #A02F2F;”] W [/dropcap]orking from an industrial shed at the back of a Warrnambool business, Tony has assembled and painted a 2-point-something metre display board in bright red, upon which Claire has been methodically gluing the boxes in preparation for their display at the school within the next fortnight.

(Ryan’s Removals have kindly agreed to deliver the display board which simply won’t fit in Tony’s four-wheel drive, no matter how hard he tries).

The final display is going to look spectacular.

Artists working with children has to be one of the most mutually beneficial relationships in existence and that is why Claire and Tony, and those like them, are our quiet heroes for this week.

[box] Our Quiet Hero will receive a coffee and cake voucher from this week’s sponsor Lozzar’s Lounge Cafe, Warrnambool – thankyou Lozzar’s. [/box]

Meet some of our other quiet heroes…

Susie Alexander fights cancer…and aims for a fun run 

Holden Club helps out

Caring for the environment

Embracing diversity