Not drowning, saving: shire councils show the way with C19
Smaller councils have been doing something of an “Eric the Eel” in response to Covid-19, showing a strong performance compared to their bigger neighbours. Image: Newstatesman.com
Carol Altmann – The Terrier
There’s something very “Eric the Eel” about how well the smaller councils are keeping afloat during the financial fallout of Covid 19.
Do you remember Eric (pictured)? He was an athlete from that great swimming nation of Equatorial Guinea…ahem….and therefore the one least likely to out-swim his fellow competitors in the 100m freestyle heats at the Sydney Olympics.
But – against all odds and with some good luck – he slogged through and won the day.
I feel like I am watching Eric in action when I read that both Corangamite Shire and Moyne Shire are planning a zero per cent rate rise next financial year.
This means nought, nada, nothing will be added to the rate in the dollar amount from this year.
Warrnambool City Council, which has double the population and double the budget, has been kind enough to defer its 4.5 per cent rates wallop for a year and offer us “only” a two per cent hike.
How kind. No wonder almost 200 people have reportedly already applied for help.
WCC expects a total budget of $76.6 million to spend next financial year.
Compared to the “Erics”, Warrnambool is the Ian Thorpe in the public pool: Corangamite will have a total of $49 million to spend and Moyne just a smidge less.
And yet….
And yet Corangamite will spend $14 million on building works, while WCC will spend $18.5m: not that much higher. Moyne will spend $18.1m.
Corangamite expects to record a deficit of just $120,000.
WCC is looking at a deficit of $1.5 million.
And Moyne, just to be totally “Eric”, expects a surplus – a surplus – of $800k.
But here is the real clincher: while the WCC is putting off staff to save money, Corangamite is hiring staff as part of a $5.2 million C19 recovery package.
A $5.2 million package and hiring? How on earth does it do it?
What Corangamite and a lot of other councils did was apply to the State Govt for a thing called the Working for Victoria Grants and it received a sweet $2.3 million smackeroos.
This has allowed Corangamite to create 45 temporary jobs over the next six months. Brilliant move.
WCC has announced a $1.9 million C19 recovery package – less than half of Corangamite – and there has not been a single word about any hirings.
I was going to ask the WCC whether it had applied for a Working for Victoria Grant, but I learned the W’bool Ratepayers’ Association got in before me and has already asked this question.
They have allowed me to share the response from our CEO:
“WCC put in an initial expression of interest and are still working with the fund managers.
No decisions have been made by them and no timeline has been provided on the outcome.”
Uh oh. This gives me a sinking feeling.
I have this terrible sense that when the starter’s gun went off – “go, go, go!” – we were left standing on the blocks.
In the meantime, Eric – little Eric – has just tumble turned and is well and truly into the second lap.
Drifting on a dream to the Drift House
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Drifting down to Port Fairy: former Melbourne couple John Watkinson and Colleen Guiney are the creative minds behind the transformation of an old Port Fairy landmark into the Drift House.
By Carol Altmann
[dropcap style=”font-size: 60px; color: #8F9F59;”] W [/dropcap]e have all done it: browsed the property pages and found a renovator’s delight that prompts you to dream and ask “what if….?”
Except Melbourne couple John Watkinson and Colleen Guiney didn’t just close off their dream by closing the newspaper – and it was only the newspaper then – but took the next, huge step of actually buying the place.
“We had been looking at a couple of properties with a view to setting up luxury accommodation, and this ended up being the right one,” Colleen explains.
That property was the prominent, two-storey, historic home (b:1875) on the corner of Gipps and Regent streets, Port Fairy, a once majestic, white-washed stone building that had fallen into disrepair, but has since been spectacularly transformed into the Drift House.
A new life begins: the former ‘Riverdale’ building, built in 1875, has gone from being derelict to the top luxury accommodation in the south-west. Image: supplied.
[dropcap style=”font-size: 60px; color: #8F9F59;”] T[/dropcap]he house formerly known as “Riverdale”, for its proximity to the Moyne River, was owned at that time by well-known locals Tom and Irene Bartlett who at one stage operated a gallery on site.
“Tom was a bit of a collector, to say the least, and when we came to look at the place, even though it had been unoccupied for about five years, it was absolutely full of every conceivable thing you could imagine and multiples of those things,” John recalls, smiling.
That was eight years ago and when John and Colleen began the slow process of renovating, rebuilding and restoring the house, many of these things came in handy before they were relegated to the skip.
“We would come down on weekends from our place in Richmond and camp out here in the backyard and our boys (Milo, now 10, and Toby, 8) loved it. There were old kettles and toasters, about 14 chairs, six spring base bed sets…and it became their adventure playground,” Colleen laughs at the memory.
Looking remarkably like one of Colleen’s art works, the restoration of the ‘Riverdale’ building revealed its many layers from the past 130 years. Image: Supplied.
[dropcap style=”font-size: 60px; color: #8F9F59;”] F [/dropcap]ortunately there was also a working shower and flushing toilet, so the family set up a temporary kitchen in what was a brick double garage and spent the next six and a half years developing their dream.
The planning approvals alone through Moyne Shire Council took three years to finalise as it grappled with the contemporary-meets-historic design by Melbourne architects, Multiplicity, who also transformed the double garage into a small residence for the family.
And then there were the inevitable delays and cost blow-outs that come with any grand design.
“I must admit there was a couple of times when I wanted to give up,” Colleen says.
“There is no doubt it ended up costing a lot more money than we anticipated and also took a lot more time..but it has been worth it,” John adds.
Son Toby enjoys a bit of time out on one of the make-shift lounge chairs during the six year restoration and renovation project. Image: Supplied
[dropcap style=”font-size: 60px; color: #8F9F59;”] T [/dropcap]he Drift House was finally launched as boutique, luxury accommodation in December 2013 and combines the skills of both John and Colleen perfectly.
While both had only limited experience in running accommodation (“John’s parents had a B&B in the UK and we looked after that for a little while when we were in our 20s,” says Colleen), they have a sharp eye for what works.
John was previously a marketing executive, while Colleen, who is also a practicing artist, worked as a visual merchandiser – a person who styles products to make them appealing if not irresistible.
This potent combination explains why Drift House hit the ground running and has attracted awards, attention and accolades from around Australia and internationally since virtually the day it opened.
It was named best luxury accommodation in the Qantas 2014 Tourism Awards and recently took out the RACV Victorian Tourism Award for Luxury Accommodation for the second year running. It also made the finalist list in the prestigious Smith Hotel Awards 2014.
Colleen and John inside the lounge of the renovated double garage that now serves as their home behind the Drift House.
[dropcap style=”font-size: 60px; color: #8F9F59;”] S [/dropcap]uch was the enormous interest in the building, John and Colleen held an open home so that locals could wander through and take a look at the transformation.
The gold-coin-entry event was so popular, it raised $3000 for the Port Fairy rail trail.
Its appeal lies not only its funky design (such as slices of retro carpet on doors and fence railings as door handles) and its luxurious interiors, but its walking proximity to all the unique bits of Port Fairy, including the Merrijig Inn, Blarney Books & Art, the Whale Bone gallery, the Stag restaurant and on it goes.
‘Deer’: one of Colleen’s art works that features in her home. Colleen’s art is also displayed in parts of the Drift House. Image: Supplied.
[dropcap style=”font-size: 60px; color: #8F9F59;”] T [/dropcap]hese are the very parts of Port Fairy which Colleen and John have come to love and neither misses Melbourne.
“We work seven days a week, and sometimes late hours, but I still get to swim at the beach every day, do yoga or get down to my studio in Port Fairy, and John gets to cycle without having to get up at 5.30am to miss the traffic,” Colleen laughs.
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