Bluestone columnist and architect CLINTON KRAUSE previously worked in Daylesford before relocating his business to Warrnambool. Clinton explores the mid-century architecture that gives our region so much character, but about which most of us know very little.

Port Fairy is renowned for its charming nineteenth century architecture, but just a street away from the town’s historic centre is a  ‘rediscovered’ retro home that is drawing the limelight away from its older siblings.

For its time, 43 James Street, the house designed by Tag Walter in 1960 for Colin and Maureen Leishmann,  brought a host of revolutionary new design ideas to the sleepy seaside hamlet.

Removal of many large and overgrown trees has revealed, once again, the wonderfully proportioned  facades of the house on the corner of Cox and James streets, with many a passerby declaring that they had never noticed the house before.

Current residents Liam and Jo Murphy, along with their young family, are only the third owners of a property which remains largely intact and true to Tag’s original plan and design.

Purchased in 2012, the house had suffered more from neglect than the  ‘vandalism’ of successive  ‘improvements’ and the Murphys were faced with extensive water damage to interior walls and floors caused by blocked gutters and deterioration of the almost dead flat metal roof and its poorly fitted skylights.

Carpets were sodden petri dishes of mould and the glass diffusers on ceiling lights were filled to the brim with rainwater.

As enthusiasts of all things retro, Liam and Jo threw themselves into the herculean task of the restoration with gusto, approaching the work with almost reverential attention to detail. Liam, in particular, is meticulous in preserving the period details and interior finishes of  the home.

Setbacks encountered along the way were faced with stoic fortitude: when baby Charlie decided to pick off a large section of the original wallpaper in the nursery, Liam set about carefully reinstating the multitude of tiny scraps and slivers with forensic diligence and considerable success.

The Murphys are also lucky to be in possession of a set of the original plans prepared by Tag which contain detailed drawings for signature installations within the house.

These include a quirky entry planter box – complete with pelmet lighting, an abstract metal privacy screen and ‘stick legs – and a suspended glass display cabinet in the kitchen: a lost feature that will be reinstated sometime in the future.

Indeed you could say this house has just about every mid century design trick in the book! Here are just a few:

• Flat rooves with wide overhanging eaves and thin fascias evoke a floating weightless effect;
• A cantilevered porch roof along with crazy paved steps and a ‘breezeblock’ screen wall make a dramatic entry statement;
• Individual bricks in walls are stepped out to create a shadow pattern effect;
• Windows of fixed and opening lime green coloured glass are laid out  in visually pleasing geometrical arrangements;
• Varying roof heights correspond with interior ceiling heights to differentiate living/entertaining areas and private sleeping zones.

With its expanses of north facing glass – in some rooms wall to wall and floor to ceiling – the house is light, warm and airy and provides a comfortable family friendly home for the Murphys and their three children.

The work undertaken by Liam and Jo demonstrates a sympathetic understanding and love of this fantastic house and it is reassuring to know that another outstanding example of mid-century design in our region is in good hands.

Note: You can read more about the legacy of Tag Walter in my November column here.

When we return in January: Googie 101

Bluestone columnist and architect CLINTON KRAUSE previously worked in Daylesford before relocating his business to Warrnambool. Clinton explores the mid-century architecture that gives our city so much character, but about which most of us know very little.

If there is one architect that has made a culturally significant and architecturally definitive contribution to our built landscape here in Warrnambool it would have to be Tag Walter.

William John Taggart Walter – or ‘Tag’ as he was always known – was born in 1909 the son of a builder/developer and one of 5 children. Tag started practice from his own home that he designed and built in 1934 at 49 Henna Street.

This house, a modest pre-war English style bungalow, still stands, but it is the later family home next door at 47 Henna that displays many of the mid-century design elements that the practice was to embrace and become renowned for.

Built in the mid-1950s, this house was a crossover-hybrid of the prevailing tiled hipped roof forms and stepped back ‘waterfall’ room layout, but also played with exciting new design trends.

Oversized eaves, large geometrically partitioned walls of windows, and cantilevered balconies lend the home a slightly ‘Japanese pavilion’ aesthetic. Abstract wrought iron balustrades and panels of crazy stone cladding further enhance the modern signature of the building.

Tag brought Bruce Auty into the practice in 1951 and it is surprising how prolific this partnership became.

The pair brought wonderful examples of American 50’s/60’s ‘Googie Style’ to the district – a futuristic design movement redolent of America’s infatuation with the space age, streamlining and car culture. Surviving examples of this distinctive style can still be seen around town in the facades of Mack’s Snacks, Kermonds and Prontos on Raglan Parade – originally designed as a slick, eye-catching car showroom.

Walter and Auty’s work extended throughout the Western District and projects included hospitals, churches, community halls and ongoing development of the iconic Fletcher Jones factory site: masterplanning of the original buildings and gardens having been designed by Tag back in 1948.

A notable interstate commission was the famous Pink Poodle resort on the Gold Coast – a hedonistic motel complex complete with swingin’ bars, bistro, pool and of course a giant, neon, poodle street sign. It was a favourite destination for honeymooners, but while the poodle sign has been preserved, the original building was demolished in 2004.

The Walters also found time to raise three daughters who fondly remember their father as an affectionate, kind, generous and meticulous man.

Robyn Poynton recalls that “Dad was always taking me in the car to visit building sites around the district,” and that the family would often attend “opening ceremonies amongst revered dignitaries such as the Premier Henry Bolte”.

Robyn also warmly remembers her sister Joan “doing a training year in Dad’s office on the drawing board, where she would assist with water colour rendering of the perspective drawings”.

Tag worked throughout the sixties, before handing the reigns over to Bruce in 1969. A freak boating accident in 1973 cut short the life of Bruce and brought the practice to a close (but that’s another story…).

After retirement, Tag remained registered as an architect and continued to undertake a number of development projects with family members and giving of his time generously to the community right up until his death in 1987.

Walter and Auty were the sole architectural firm in Warrnambool during the 1950’s and 60’s and were leading exponents of Modernism throughout Western Victoria.

Further examples of the firm’s work will be explored in greater detail in later features.

References/acknowledgements: Builtheritage Pty Ltd (Simon Reeves); Warrnambool and District Historical Society; Ms Robyn Poynton (daughter of Tag Walter).

Next Month: A Christmas treat – One with the Lot!