[dropcap style=”font-size: 60px; color: #A02F2F;”] I [/dropcap]f sculptor Jon Dixon had his way, this story would contain only a single sentence: “art is important”.

“That’s all you need to write,” he says, as we start our tour of the 15-acre Lyons Sculpture Park that he and his wife, Chris, have created on their bush property 21km west of Heywood.

After walking just two or three minutes through what is a combination of sculpture, gardens, raw bush, and farmland it is patently clear, however, that one sentence is not going to cut it. Sorry Jon.

Indeed it is difficult to describe the park, because it refuses to slot into any simple category.

It is a “park”,  but not a manicured one. It is a gallery, but without an entry fee or labels on any of the works. And it is full of stone, wood and metal sculptures, some of which are obvious to the eye, but also others that are tucked in nooks and crannies: up a tree, behind a bush, attached to a fallen log.

 

 

[dropcap style=”font-size: 60px; color: #A02F2F;”] T [/dropcap]he sculpture park – and the Dixon home – sits on what was once the township of Lyons and covers 30 individual titles: all half acre blocks that were once occupied by the small community built around the timber industry.

Jon and Chris bought the property 20 years ago, after Jon decided to quit his executive lifestyle and return to his first love of art.

“I was running my own industrial door company (in Melbourne) and I watched all of the company executives I knew climbing up the corporate ladder, stepping on heads along the way, burning people off along the way…and they were all miserable,” he said.

Once Jon and Chris, who is a secondary school English teacher, found the Lyons property, they knew it was the perfect place to stretch out and exercise their creativity.

Born in England, but raised in working-class New Zealand, Jon was immersed in the artistic and cultural symbols of the Maori people and this influence is clear in his style today.

 

[dropcap style=”font-size: 60px; color: #A02F2F;”] M [/dropcap]ost of Jon’s sculptures are worked from local limestone and bluestone, sometimes paired with “found” objects such as a recycled milk vat or a cemetery headstone, or the remnants of industrial farm machinery, equipment or tools. He also creates large metal sculptures, the most striking of which is a life-size silhouette of a rearing horse placed among the tall, yellowing grass of the property.

[box] Jon has generously donated a gorgeous sculpture valued at $600 to be given away to one lucky paid subscriber. Click here for details on how to win this wonderful piece.[/box]

One of the engaging things about the park is that there is no particular theme and it moves easily from the abstract – an overgrown field full of female torsos – to the spiritual, such as the “Stonehenge” style installation in a perfectly mown circle of a grass, to the political. The lack of labels or interpretive notes lets the viewer see what they want to see.

The raw bush, which Jon clearly loves and is slowly restoring to its native state, also contains a range of works, including a simple stone disc punctured with numerous holes.

Jon tells the story of a visiting Asian family who were captivated by this piece after he invited them to find “the most beautiful leaf” from the many gum leaves on the ground and place it into a hole.

“This was a family that, at home, had to drive two hours to find open space and here we have beautiful, natural bush. They stood here for a long time, just picking up leaves – dead ones, green ones – and placing them into the holes,” he said.

You are right, Jon. Art is (so) important.

[box type=”bio”] Jon Dixon has received numerous accolades for his work, including winning the prestigious Montalto Sculpture Prize in 2003. You can see more of Jon’s work at his website here and find him on Facebook here. The Lyons Sculpture Park is at 4143 Princes Highway, Lyons. Ph: 0437 000 433. Open daily 9am – 5pm. Free.[/box]

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By Carol Altmann

[dropcap style=”font-size: 60px; color: #DDCE8D;”] T [/dropcap]ravelling from Warrnambool to Adelaide, it is easy to bypass Heywood because it takes that extra bit of time and effort to detour into the main street: but it is worth it.

Heywood has less than 1400 people, but what it lacks in size, it makes up for in character, such as that found at the Heywood bakery.

The Heywood bakery, like many small town bakeries, offers old-fashioned service, homemade scones and good coffee with the sort of enthusiasm and cheerfulness that makes you think they are living in the best place in the world, and maybe they are.

The bakery is right in the main street, Edgar St, which crosses the picturesque Fitzroy River and has a sweet little picnic area right on the riverbanks. Across from the bakery is the historic former Heywood primary school, now used as the town library, which has been restored and looks gorgeous.

When it comes to history, however, it is hard to beat the building which houses Heywood Horse and Country, also in the main street.

[dropcap style=”font-size: 60px; color: #DDCE8D;”] T [/dropcap]he original bluestone building dates back to at least 1854, which is when Heywood became a town, and was operated as a general store by a Mr Avery.

In 1862, the business was bought by Heywood pioneer and merchant Harris Rosenbloom, who emigrated from Poland in 1857 and died a very wealthy man in 1887.

The Harris Rosenbloom rags-to-riches story has fascinated the current owner of the building, Fred Wilson (from Kaz’s Googs, Bluestone Magazine 2/11), who has set about recreating and restoring as much of the original building as possible since taking it over from Foodworks.

The southern wall is the original bluestone that has been sandblasted and restored, while Fred built a new bluestone wall at the rear to recreate the Rosenbloom façade.

“Unfortunately I couldn’t touch the front due to building regulations, so I have made a replica at the back,” he said.

Harris Rosenbloom went on to make his fortune through sawmilling and, in addition to his shop, owned two sawmills that employed 40 men. When he died, he had an estate worth more than £20,000, at a time when the weekly wage was £2.

Many of the goods he sold in his store are, in their modern equivalent, sold by Heywood Horse and Country today: hats, bridles, horse feed, boots and buckles.

Denise Farrugia opened the business earlier this year and, like Fred, appreciates the deep history of the building.

“It is wonderful what Fred has managed to do. This was a condemned building at one point,” she said.