Saying “enough” to sexual violence against women and girls
Carol Altmann – The Terrier
Standing up: In the absence of any other events that I have (so far) seen planned in Warrnambool for the #enough national event happening next Monday, 15 March, I am planning one.
It will be simple, but it will – I hope – still have meaning.
Next Monday, 15 March, I am asking everyone who wants to express support for women and girls in the ongoing battle against sexual violence and sexual assault to meet at the Civic Green from 12.30pm to 1pm for what I am calling a circle of solidarity.
We will stand 1.5m apart, as is the new norm, in a circle. If three people turn up, it will be a small circle. If more people turn up, it might be a little bigger. If lots of people turn up, we may even need two circles.
There will be no speeches, but bring a sign with the #enough hashtag or whatever else you would like to say.
As I say, this is a simple protest, but I cannot let the events of the past few weeks pass without standing in solidarity with those who have spoken up and said “enough”.
Air issues expose deteriorating state of W’bool Art Gallery
Carol Altmann – The Terrier
Interesting to see the W’bool City Council must now spend $530,000 to replace the air-con system at the art gallery, which has been limping along on one leg for some time.
Like the poor old library across the road, the poor old art gallery has been neglected to the point where it no longer meets modern standards.
We have missed out on major national and international touring shows because the air quality system has not been up to scratch, which might explain why the Paul Jennings and Damon Kowarsky exhibitions each stayed open for more than six months.
Just like the library, this sad state of affairs is not the fault of the gallery director and staff, who have had to make do with what they have been given.
Take, for example, the fact that the art gallery – in 2019 – still doesn’t have a decent online database.
As a result, most of us have no idea what is even in the collection and, despite the most recent shows “Rich Pickings” and “Wanderlust”, most of it remains hidden.
The council agenda for tomorrow night’s meeting reveals that in just the last 12 months, since the council agreed to fix the gallery’s air-con system, it has failed numerous times and $20,000 has been spent patching it up.
Why have our two main cultural institutions been allowed to run down into this state?
Is the hosting of AFL practice matches at Reid Oval, or spending millions propping up Flagstaff Hill, or spending countless dollars on endless studies of the harbour considered a greater priority? Sadly, yes.
At least the poor old library will soon be replaced with a shared complex with TAFE, although I am not convinced that this is the best long-term solution.
Maybe we could follow the lead of other cities and instead of maintaining separate institutions like in the past, we combine the art gallery, library and a museum into a new state-of-the-art building to replace the existing art gallery.
The Civic Green remains the perfect location for such a contemporary cultural centre (and there is plenty of room for parking right next door).
Such a landmark building would also restore Warrnambool’s reputation as a leader in exhibiting and promoting arts and culture, which it was when the gallery opened in 1986.
Personally, I would much rather see this than AFL practice matches at Reid Oval, and I am Port Power fan.
We are one world: Christchurch
Warrnambool wraps its arms around Christchurch. We embrace flowers, not guns.
You can add whatever you have in your garden, whenever you like. This living vase of hope at the Civic Green will be there until Friday (March 22), a week from when hate again tried to break us, but failed. #newwarrnambool#oneworld#lovenothate#holdmyhand
Taking a stand: “But Carol, where will it end?”
No small irony: Large posters promoting the #16Days of Activism to end violence against women on prominent display at the Lighthouse Theatre, Warrnambool, which also houses a Rolf Harris mural.
I met two unforgettable people last week while collecting signatures to erase the mural by sexual predator Rolf Harris at the Lighthouse Theatre in Warrnambool.
Both of them, one a man, the other a woman, were survivors of child sexual abuse and were, as they described it, “finding their voice” to talk about such a personal atrocity and do everything they could to ensure that no other child would suffer what they had.
They talked quietly, often looking into the middle distance, because the middle distance is a safe space when re-visiting a place of such hurt, such confusion and such silence.
The silence. The being told – constantly – that you must not say anything, that you must not cause trouble, that you must not ruin things, or make things uncomfortable for others by speaking up and out.
But as the man said to me, “you just want to be heard and for someone to do something”.
He was doing something.
That very day as he signed the petition on a wobbly card table on the Civic Green, the Royal Commission into Institutional Responses to Child Sexual Abuse delivered its final report.
This was a devastating report that has been five years in the making and to which this man had given hours of evidence.
Despite having made a contribution to this highest level of investigation, this man still turned up during his lunch hour to sign a little petition to remove a small mural in Warrnambool because he is not done yet.
None of us should be done yet.
And this was how the woman who told me her story, a story she is only now starting to fully articulate, went from talking to me about why removing the Rolf Harris mural didn’t really make a difference, to deciding that it did.
She had come to the Civic Green not to sign the petition, but to explain why she felt covering it up was enough.
We talked about the symbolism of covering things up, about the hard-to-hear argument of separating the sexual abuser from the person, and about this mural – this mural – being a chance for our council to follow the lead of others who painted over their Harris murals right after his conviction two years ago.
After 20 minutes or so she said “I am going to sign”, and she did.
These are the strong faces I see in my mind when people roll out the arguments as to why the mural must stay.
“But Carol, where will it end?” they say.
Apparently if we erase a Rolf Harris mural in Warrnambool, soon we will be pulling down churches and trashing Caravaggios and banning people from watching films and throwing all manner of books, artworks and music onto a giant pyre, because if we don’t, well, we are being insincere and inconsistent.
Ironically, this fear-mongering and muddying of the waters is what the “yes” voters endured during the same-sex marriage debate.
A simple question – can two people of the same sex marry – descended into a frenzy about ending freedom of speech, people marrying goats, and children being taught in primary school how to use sex toys.
If you said yes to same sex marriage, you were saying yes to all these things too – get it?
Fortunately most of us in Warrnambool were smarter than that.
But we, as a city, own a Rolf Harris mural and it is through this mural we can again make and take a stand. We must make a choice. We either own it fully, and pull down that Perspex, or we roll over it as a symbolic gesture that we stand with survivors 100 per cent: not 50 per cent or 20 per cent.
“But Carol, where will it end?”
Well, I can tell you that for the survivors of predators like Rolf Harris, who use their power and position to abuse children, it never does.
And as the women and men now speaking out around the globe have shown, we are not done yet.
In fact we are just getting started.
The physical petition has closed with more than 100 signatures in five days, which was my goal. The online petition also closed on Wednesday 13/12 at 9am.
The petition will go to Warrnambool City Council for consideration at its first meeting for 2018 in February.