OPINION

[dropcap style=”font-size: 60px; color: #DC943C;”] A [/dropcap]fter months of often acrimonious debate, Warrnambool traders will have an historic vote from next week on whether they want to pay a special levy for a chamber of commerce – and those against the move will have to work a lot harder than those in favour.

It is the first time the Warrnambool City Council has used its power to introduce special rates and levies on behalf of a specific group – Commerce Warrnambool – and at this scale; 1337 traders will be affected.

The proposed levy will cost each trader up to $300 a year for the next five years and give Commerce Warrnambool an annual budget of at least $300,000 to spend on marketing the city, advocating for business and setting up networking opportunities and professional workshops.

Under the strange rules of the Victorian Local Government Act, those traders who don’t want to pay the levy will have to jump through hoops to make sure their vote is counted, whereas those who support the levy won’t have to do anything.

Here are the steps:

First, traders who object have to make sure they receive the notice that is coming in the mail from the council.

Second, they have to tick the “no” box.

Third, they have to attach evidence that they are responsible for paying the rates on their business premises, either by attaching a copy of their lease, a letter from the property owner, or a stat dec.

Fourth, they have to mail the letter back (postage paid).

And they have to do it all by November 3.

[dropcap style=”font-size: 60px; color: #DC943C;”] I [/dropcap]t’s a time consuming list of things to do while also running a business, a family and a life, but this is what dissenting traders will have to do if they wish to be heard.

Not only that, but almost 670 traders will have to make the effort if the “no” vote is to succeed, whereas the remaining 670 voters who might support the levy can sit tight.

It is a cockeyed system and reflects the history of this part of the Local Government Act, which was introduced in 1989 so that local councils could raise “special rates and charges” for all manner of things from footpaths and drainage works, to shopping centre promotions.

It seems when there is more ratepayer money to be made, the harder it is to object, the better!

Not surprisingly, given how the voting system works, the “no” campaign – aka The Warrnambool Traders Action Group – has been hitting both the pavement and social media for months to argue why the levy should not go ahead and how to vote against it. “No” posters have appeared in shopfronts across town, and its Facebook page has accumulated 477 followers.

By contrast, the “yes” campaign – aka Commerce Warrnambool – has been almost eerily quiet up until the last week, when it began to place ads in the local paper advocating for the levy.

There has been no doorknocking or poster pasting, but its Facebook page did reveal earlier this week that it intended to do an information mailout via the council, until the council said it could not be involved (for obvious reasons). The mailout will now come via Australia Post.

[dropcap style=”font-size: 60px; color: #DC943C;”] T [/dropcap]he difficulty for Commerce Warrnambool in trying to pitch the levy is twofold: first, it is trying to boost its membership by force.

In 2011, a year after Commerce Warrnambool began, it had only 80 members and an annual budget of $24,000. The levy is partly a backdoor way of making traders support an old-fashioned, traditionally male-dominated concept that perhaps has had its day.

Surely if so many traders were keen to support a chamber of commerce, they would just sign up? Meanwhile, new business networks are gathering strength, like the Young Professionals Warrnambool and Business and Professional Women South-West.

Second, despite the best of intentions, the ideas put forward by Commerce Warrnambool have failed to inspire those struggling under the weight of high rents, online shopping and a tired-looking CBD.

Christmas promotions, car raffles and shop-local campaigns are not new. Indeed a council-backed Christmas promotion, complete with Santa arriving by helicopter, ran in 2011 and yet shops are still closing down in the CBD.

Car raffles and the like are short-term, sugar-fixes when what is really needed is an acceptance that the Internet is the industrial revolution of our time and not all businesses will survive. Some will adapt, others will die and new businesses will emerge.

In my view, a new levy won’t make an inch of difference compared to the revitalisation of Liebig St that is underway at last, and a lowering of CBD rents to realistic, regional-based levels (this is in the hands of property owners) to inspire new businesses and support those in transition.

How many traders share this view remains to be seen when the votes finally come in – or not.

[box]Note: If less than 50 per cent of businesses object to the new levy, the council will make the final decision on whether it goes ahead at its December 1 meeting. Anyone can make a submission for or against the levy and can do so in writing by Nov 3 to the CEO, Warrnambool City Council, 25 Liebig St, Warrnambool, 3280. All submissions are public documents.[/box]

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By Carol Altmann

[dropcap style=”color: #a5cecd;”] A [/dropcap] little more than a year ago, Susie Alexander received the news that nobody wants to hear: the lump she had found in her right breast was malignant.

“I had a shower and I never really look at myself in the mirror, but this time I noticed a puckering on the right side of my breast. I felt around and felt a lump and thought, ‘oh no’. It made me feel quite nauseated, because, well…” Susie, from Warrnambool, said, her voice trailing away.

It was to be the beginning of a journey that, like only cancer can, turned Susie’s life completely upside down.

Susie, 49, was a nurse for 28 years and is married to paediatrician Dr Greg Pallas, so she wasted no time in having the lump tested the same day as she found it. That was a Friday, her step-daughter’s birthday, and the distraction of a party sleepover made the agonising wait for results over the weekend a little easier to bear.

A strong history of cancer on the matriarchal side of the family – her mother, Jan, died of lymphatic cancer last December – meant that Susie was highly conscious of the risk, but previous lumps detected in mammograms had proven to be harmless.

By the Tuesday, however, the result was confirmed as cancer and three days later Susie had the breast removed, together with 32 nodes under her armpit because of concern that they might also be cancerous.

“You have no time to think. I turned into a robot and I think I was a robot for 12 months thereafter because between Mum and myself, you just have to get on with it,” she said.

[dropcap style=”color: #a5cecd;”] A [/dropcap] layer-by-layer inspection of the removed breast brought more devastating news.

“(My doctor) came in and gave us the results: I not only had one cancer, but two cancers in that breast. Ductal and lobular. The lobular…was in 11 different areas of my breast, but it hadn’t shown up on the scans at all, because it is so minute,” Susie said.

“I was hysterical, I have never cried so much, because even though (the cancer) wasn’t in the nodes, I was not guaranteed of anything anymore.”

Given the insidious nature of Susie’s particular cancer, she made the seemingly radical decision to have her remaining breast off, even though scans had not shown any sign of disease.

“For me, it was an easy decision. Knowing what had happened with the lobular, there was no doubt I was going to have the left breast off. I just had this feeling about it that said ‘get that breast off,”’she said.

The left breast was removed last October and post-operative tests revealed ductal cancer in situ: cancer cells that are contained, but which can become invasive.

While a double mastectomy before the age of 50 is a psychological and physical mountain in itself, it has been the reconstructive surgery since that has been an equally demanding challenge.

[dropcap style=”color: #a5cecd;”] S [/dropcap]usie blames nobody, but feels the decision to have reconstructive surgery was “rushed” and, in hindsight, she wishes she had taken more time to recover emotionally and physically from the mastectomies.

Not only is the pre-implant process quite painful, where an expander is fitted into the chest muscle and gradually filled with a saline solution, but Susie has no sensation in or around the implants.

Worse, she has had life-threatening sepsis three times as a result of the reconstructions and been hospitalised for up to a fortnight each time.  A year on, Susie still requires surgery to fix the complications.

Yet here she is, alive, laughing, making art, and doing what she can to raise awareness and funds for breast cancer research and support. Just like last year, Susie will again lead a fundraising walk along the Warrnambool foreshore in early December.

“It is good for me, because as a survivor of cancer I want to be able to do something to help other women. I want to be able to help.”

Given her vitality, it is a shock to hear Susie say late in our interview that she has “a sixth sense” that her cancer will return.

It does not depress her, however, but makes her more appreciative of each day of wellness.

“You can’t afford to not live your life now. I try to live in the now and so that is how I survive. I don’t look into the future too much, or the past either, just the now.”

[box] Bluestone Magazine will provide updates on Susie’s foreshore walk planned for December to raise funds for the Breast Cancer Network Australia. You can read our story on last year’s event here.  To find out more about the Warrnambool Social Breast Cancer Support Group contact Ann at annkrause56@gmail.com or phone 0400 800 499. [/box]

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By Carol Altmann

[dropcap style=”font-size: 60px; color: #A02F2F;”] F [/dropcap]or those left behind after a suicide, the question is always and agonisingly the same: why?

On Monday, August 11, this question reverberated around the world as news spread that actor Robin Williams – a person who seemingly had it all – had taken his own life.

A day later, the friends and family of Warrnambool man and musician Nick Fox were grappling with the same heart-breaking question. Nick was born in 1985, the same year as my own brother, Ian, took his life at the age of 24. It is almost 30 years since that terrible day, and I still don’t know why.

In trying to understand the “why“ we hope, of course, that we can stop another suicide from happening: that we will know what to look for, or know what to do, or say, to help change a person’s mind.

This is the premise, in many ways, behind the “R U OK?” campaign. That by asking a troubled friend, family member or colleague if they are okay, we might be able to change their course. The hard part, however, is when someone says “no, actually, I am not okay”. What can we say or do then?

[dropcap style=”font-size: 60px; color: #A02F2F;”] P [/dropcap]anmure artist Lisa Firestone has been grappling with these questions since a friend and fellow artist took her own life earlier this year.

At that time, Lisa used her art to deal with the “raw grief and shock” of losing someone who was a treasured friend, cheerful neighbour and artistic colleague.

“Doing that work really helped me process my grief and to work through it. I wanted to show the ripple effect that suicide has and how many people are affected,” Lisa said.

Her collection of nine paintings – a series of sentences across brightly coloured, sunset or ocean-like backdrops – capture the anguish and helplessness felt by those who have lost a loved one to suicide.

[box]Reads one panel:

“Depression, anxiety and pain are a deadly mix.

I wish there was more I could have done.” [/box]

The series of paintings was recently exhibited in Melbourne by the Mental Health Foundation of Australia, but Lisa’s most recent work broadens the focus from the personal to the collective and asks us to contemplate how we, as a society, can make suicide redundant.

[box]One asks:

“What is the message that humanity isn’t getting regarding suicide?

What needs to be lifted in us all to make suicide redundant?

Enough is enough.” [/box]

They are not easy questions to ask, or to answer.

“I am asking people to go deeper with their thinking, to really look at how we operate as a society and how we can better address these issues,” Lisa said.

“One woman who saw the painting (on display during the recent open day at Factory Arts, in the Fletcher Jones building), scoffed and walked away, but I hope it will touch other people’s hearts.”

[dropcap style=”font-size: 60px; color: #A02F2F;”] W [/dropcap]hile suicide is universal, it is far from uniform.

Why is it, for example, that South Korea has the highest suicide rate in the world (24.7 per 100,000 people) while Greece has the lowest (2.9 per 100,000)? Australia sits in the middle on 11.2 per 100,000  – double that of Mexico or Italy. What different social and cultural factors are at play?

According to the Australian Bureau of Statistics, the national suicide rate has fallen significantly among men since 1997 (23.3 per 100,000 down to 16.8) and for women (6.2 down to 5.6), and the peak age group is not among younger people, as we might assume, but the elderly (37.6 deaths per 100,000 in men aged 85 or over). Indigenous men are also at a much higher risk than non-indigenous men.

Although we are headed in the right direction, the statistics are still too high and have a way, like numbers do, of removing the individual stories.

Lisa believes we need to share more of these stories – to let the air and light in and to remove the shame – and she speaks openly of her own battle with depression and suicidal thoughts in the past.

Her healing came not from thinking about the impact her death would have on others – “I actually thought people would be better off without me, which is part of what depression is about” – but from a holistic approach that involved medication, art, Reiki and “spending a lot of time in nature”.

“My art is now a way of helping others, to reach out to people and to start a conversation about how we can make suicide redundant: if we are talking about it, the answers will come.”

[box]Lisa will have her work on display at the Brophy Community and Youth Complex, 210 Timor St, Warrnambool during National Mental Health Week October 6-11. ABC Open is also running two projects – Speak Your Mind and Mental As – for full details visit here.

If you need to reach out to someone, please try any of these contact numbers for 24/7 support: Lifeline 13 11 14; Suicide Callback Service 1300 659 467; Kids Helpline 1800 55 1800; MensLine Australia 1300 78 99 78. [/box]

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OPINION – Carol Altmann

If there was any doubt as to how much the Fletcher Jones Pleasant Hill site in Warrnambool means to locals, the recent spring picnic has laid it to rest.

Around 1500 people flocked to the gardens last weekend to wander among the market stalls, listen to the music, stretch out on the grass and – like so many thousands of children and adults before them – take pleasure in the many garden delights that Sir Fletcher Jones created in his factory grounds.

Cr Jacinta Ermacora has leapt on this huge wave of support to announce today in the local newspaper that she thought it was “time to tell the Fletcher Jones story”, and a meeting would be held shortly between all of the interested parties to work out how this could be done.

What Cr Ermacora failed to mention, or was not reported, was that the council was first asked to collect these stories way back in 2002, when it was a key recommendation in a report it commissioned into the future of the Fletcher Jones site.

What has been done by anyone on the council since then?

Absolutely nothing.

There is also a vast amount of precious Fletcher Jones memorabilia cast about Warrnambool, with some in History House, some at The Artery, and some in people’s private homes, that needs to be collated, assessed and preserved for future installations.

What has any council member done about that so far?

Absolutely nothing.

In the interim, as people age, and pass away, the stories are being lost and the memorabilia is getting harder to trace (and let’s not forget that many items ended up in a skip bin when the site was first sold by the council in 2005, only to be retrieved by artists).

This is why a small group of people, led by Julie Eagles from the Warrnambool Planning and Heritage Group, has been asking the council for months whether there is any funding set aside in this year’s budget to at least start the process of gathering these stories.

It was hard to get a clear reply.

Bluestone got a reply on Thursday and this is it in full:

“We have no funding specifically allocated to telling the story of Fletcher Jones in this year’s budget.

However, the history of Fletcher Jones and other elements that tell the story of Warrnambool will be on the table when the time comes to look at public art as part of the city centre renewal.

Once we have the foundation stage of the renewal plan completed – which addresses issues including accessibility and mobility – we’ll be engaging the community in a discussion on public art.” – Nick Higgins, Manager Communications.

So how much funding is there for the Fletcher Jones story project?

Absolutely nothing.

By contrast, Melbourne University has already started work on collating and recording the business story behind Fletcher Jones and Melinda Barrie, from this project, has shown a willingness to work with local groups to capture the local stories.

It is embarrassing, to say the least, that a Melbourne institution has been more motivated and excited by our local, contemporary history than our own council.

And by contrast to the council’s inertia on what we might call the whole Fletcher Jones package – the stories, the site, the potential – last Sunday’s picnic was a triumph of what can be done through hard work, passion and belief.

Not only did it showcase the magnificent efforts of resident gardener Lex Caldwell and his team of volunteers who have kept the gardens alive, but it was a celebration for all those other volunteers who believed that the best parts of this iconic site were worth saving.

Those who pressed hardest to keep Pleasant Hill on the public radar – Julie Eagles, The F Project arts collective, us here at Bluestone Magazine, and the consequent Save the Silver Ball and Fletchers Gardens Facebook page started by Tonia Wilcox – all did so without any official backing.

Similarly, the spring picnic was organised within weeks by The F Project/The Artery without a cent of funding and relied heavily on volunteers who pulled it all together – people like Dr Emma Charlton, Megan Nicolson, Des and Helen Bunyon, Ruby Richardson, Danielle O’Brien, the Factory Arts crew, Julie Eagles – the same names that keep coming up time after time and who continue to make exciting things happen around the city.

They don’t sit around waiting for others to do something: they just get on with it.

The F Project, for its efforts, made less than $400 on the day from a raffle, but it was never about raising money. It was all about bringing life back to the gardens through the arts, but you can’t keep expecting volunteers to do all the heavy lifting.

And so it is with the capturing of the Fletcher Jones stories.

The funding is there: it’s just how the council chooses to spend it. 

It recently found $10,000 on short notice for the Oddball movie, and another $3 million of state and council funds are about to be plunged into sound and light shows at Flagstaff Hill.

So unless Cr Ermacora can come to the meeting armed with a firm proposal for council funding, it is nothing more than hollow words on the back of very successful picnic and that – unlike a pair of Fletcher Jones’ scissors on the factory floor – just won’t cut it.

[dropcap style=”color:#DC943C;”] I [/dropcap]t began as a good idea for a housewarming party that has taken on a life of its own as a regular rug-twisting, hip-swinging, good-time-guaranteed-get-together for a group of friends who love LPs.

If you know what the acronym LP stands for, then you are off to a good start to be a “Spinner”: a person who loves listening to actual vinyl records rather than CDs, MP3s or digital downloads.

“It is the sound – the richness and quality of the sound – and when you hear it again after not having heard it for a long time, it is wonderful,” explains the founder of the Spinners in Warrnambool, Claire Jennings.

Claire inadvertently started the Spinners when planning her housewarming party in 2011 – a year after she had moved in – and decided that because she was a year late with the festivities, the party had better be something out of the ordinary. Why not set up a stereo and play some records?

“But I didn’t have a record player and I didn’t have any records – I had nothing,” Claire throws out her hands and laughs.

[dropcap style=”color:#DC943C;”] T [/dropcap]he solution was to borrow a couple of turntables and ask the guests to bring along their favourite records to “spin a set” in a seamless transition between one turntable and the other, just as DJs used to do when Claire and her friends were in their teens.

“I organised for a bit of a practice-run a month before the actual party, just to see how it would work, and the few people I invited ended up dancing all night…I basically ended up having two housewarming parties,” Claire says.

Like all memorable nights, the talk the next day was all around “we must do that again!”

So they did.

And then they did it again.

And now a core group of around 12 people meet four times a year, with other “Spinners” included by invitation-only, to play their 25-minute “sets”, enjoy some food and, if they feel like it (which they usually do), to dance.

“To hear Smoke on the Water again on vinyl after so many years, well, it’s just magical,” Claire says, adding that she loves rock and roll and is a mad Beatles fan.

[dropcap style=”color:#DC943C;”] S [/dropcap]pinner Toni Jenkins said the group reignited her passion for music – she has eclectic taste from The Cure, to Janis Joplin, Bette Midler and just about anything from the 80s – and that there is a particular joy that comes from hearing great songs.

“There are still songs out there that you have never heard before and, every now and then, someone will come up with an absolute gem,” she says.

Toni admits she has her favourite Spinners – Roy Reekie, Paul Sheehan – who can keep her on the dance floor for most of the night.

“To dance through a whole set of about 10 songs is not for the faint hearted,” she laughs.

A few rules have been added in recent times, such as playlists being written down rather than chosen at random, and each Spinner bringing their own glass and taking their shoes off at the door, just to save on dishes and floor damage.

In the end, however, it is still all about the music.

“The songs represent a particular time and a particular era – it is our history – and there is great joy in being completely immersed in that again,” Toni says.

[box] The Spinners are hosting a farewell and tribute night to Warrnambool’s legendary Capricorn Records and owner Mick Fitzgerald (who is a Spinner) on Sept 20 at the Ozone Room, Warrnambool Hotel. Tickets are $10 from Long Gone, 115 Fairy St, Warrnambool. [/box]

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