OPINION – Carol Altmann

[dropcap style=”font-size: 60px; color: #A02F2F;”] L [/dropcap]eading Melbourne graffiti artist Matt “Adnate” Last has been chosen to create a $13,000 interactive mural in the heart of Warrnambool.

The Ngatanwarr (“Welcome”) Mural will transform a prominent – but as yet unnamed – site with a 20sq/m mural with an indigenous theme that will be developed in consultation between the artist, who is not indigenous, and the local Aboriginal community.

The interactive mural is central to a wider project being developed by a steering committee that includes representatives from the Gunditjmara Aboriginal Cooperative, the Warrnambool City Council/Warrnambool Art Gallery, Leadership Great South Coast and the F Project, for which a total of $22,000 has been raised from various government and philanthropic sources.

Adnate is the second, high-profile spray paint artist to secure a large-scale mural commission in Warrnambool, following that of Scottie “Bonsai” Neoh, who was awarded the $15,000 commission for the Mortlake Rd pedestrian underpass.

Unlike the Bonsai commission, however, the Ngatanwarr Mural went to expressions of interest, albeit in a tight turnaround time.

The call went out in mid September, with artists given around three weeks to submit an EOI.

Chairman of the selection committee, Paul Lougheed, from Leadership Great South Coast, told us that four local artists were among those to submit an EOI, with Adnate selected “by a panel including representatives from the aboriginal community, arts community and other interested community members”.

[dropcap style=”font-size: 60px; color: #A02F2F;”] T [/dropcap]here is no doubt that securing the services of Adnate is a coup for Warrnambool: his striking work can be found in major cities around the world and, earlier this year, he was chosen to paint a rare, blank 23m-high wall in Melbourne’s famous Hosier Lane.

And there is no doubt that his work will be a drawcard, particularly as it will include interactive QR codes to tell the stories behind the images.

But the perennial question again comes to mind: how can local artists get ahead if they keep being overlooked for significant local commissions?

We raised this same question earlier this year with the Bonsai commission, which followed the awarding of a $20,000 commission to Melbourne artist Ewan Coates in 2010 for his bronze sculpture The Three Pillars of Gratification, and another $20,000 commission in 2011 that was won by Ballan artist Velislav Georgiev for his work Chance Encounter, that sits on the corner of Lava and Liebig streets.

It is a vexed issue.

On one hand, Warrnambool can’t simply close itself off to artists from elsewhere, but on the other, a $13,000 commission (which includes materials and equipment) is the sort of work that can start to make an art career viable to a local artist.

Unlike in metropolitan areas, major commissions are rare in the south-west and many of the murals you now see around Warrnambool were done for very little money, but significant goodwill.

We look forward to seeing what Adnate produces, but at the same time will continue to argue that at least some of these large commissions should stay “at home”.

[box]The Ngatanwarr Mural will be launched on Friday March 20, 2015, to coincide with ‘Close the Gap’ day. You can find more of Adnate’s work on his website here.[/box]

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By Carol Altmann

[dropcap style=”font-size: 60px; color: #DC943C;”]T[/dropcap]he greatest compliment you could pay young artist Bronwen Arnold, who works under the name Bronwen Rose, is that you find her work disturbing.

Because that is exactly what she wants it to be.

“I am fascinated by a world where everything is beautiful and everything hurts,” she says.

The 20-year-old, who was raised in Dunkeld but now lives in Warrnambool, believes that art should take the viewer out of their comfort zone by twisting the familiar with the unexpected. Hence most of her works, be they digital painting, traditional painting or sculpture, look appealing at first glance: but then reveal a darker side.

Doe-eyed, pixie-faced characters are missing limbs, or have been disembowelled. Eyes are bloodshot, teeth are crooked, skin is disfigured.

It doesn’t make for pretty work, but it is absolutely memorable in that it is confronting, yet clever.

“A lot of (artists) in Warrnambool are inspired by coastal scenes and while they are beautiful to look at, and you can say ‘that is nice’, that is the end of the conversation,” Bronwen explains.

“I want my art to be unsettling and for people to talk about it; I want it to have an ugly beauty.”

[dropcap style=”font-size: 60px; color: #DC943C;”]B[/dropcap]ronwen is in her second year of a Diploma of Visual Arts at South-West TAFE where her teachers include the wonderful Jeanie Gleeson whose work explores the boundaries between comfort and discomfort and what is regarded as “beautiful” art. (See our earlier story on Jeanie here).

Another influence – or even a hero – for Bronwen is contemporary artist Patricia Piccinini, whom she met while volunteering at the Warrnambool Art Gallery during Patricia’s recent exhibition that, despite its confronting themes, was among the gallery’s most popular.

“I love how people react to Patricia’s work. One of my jobs (as a volunteer) was to invite people to touch this little furry, strange critter (made by Patricia) that I was carrying around and most people refused to even touch it,” she laughs.

While Bronwen may sound like a dark thinker, she is in fact the opposite.

Her preference for wearing black, the striking arm tattoos on the soft underside of her forearm, and a 24mm gage tunnel in her ear (kind of like a sleeper on steroids) belie the fact she has an easy laugh, and the down-to-earth charm of a young woman who grew up in the country.

“My parents bought the Dunkeld Post Office which is, like, as old as old (it dates back to the 1850s), and I grew up there. Yep, in a post office,” she smiles.

[dropcap style=”font-size: 60px; color: #DC943C;”]B[/dropcap]ronwen also admits that her favourite colour is not black or blue, but pink, rose pink.

“My bedroom looks like an explosion of grandma florals – pink everywhere – with my collection of teapots all around the place,” she shrugs.

This is not the space of a tortured soul, but someone who loves playing with the juxtapositions of life: the gaps between pretty and ugly; black and pink; teapots and tattoos.

Her next series of work will explore skin and its many variations. Bruises, birthmarks (Bronwen has one), discolourations, pigmentations, freckles, albinism and a condition called vitiligo, where patches of dark skin lose their pigment, will all come under scrutiny.

“I saw a woman once who had vitiligo, and she had the most chocolate, velvet skin with white patches. She was absolutely amazing, so beautiful. She looked absolutely beautiful,” Bronwen explains.

I wondered how many times that particular woman had been told, because of her imperfection, that she was “absolutely beautiful”?

And therein lies the secret to the work of Bronwen Rose.

[box]Bronwen is the recipient of the Lukasz Chomentowski sponsored studio space at The Artery, Warrnambool. She will be part of Arts on the Grass at the Fletcher Jones Garden Christmas Market, Sunday December 14, 11am-3pm and you can also view more of her work on the South West Arts Atlas.[/box]

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Words and photos by Carol Altmann

[dropcap style=”font-size: 60px; color: #A02F2F;”] T [/dropcap]he extraordinary team behind the F Project has again come together to organise a Christmas picnic in the Warrnambool Fletcher Jones factory gardens – the likes of which has not been seen for years.

The garden party on Sunday December 14 follows the hugely successful spring picnic, which attracted more than 1500 people and coincided with the 70th anniversary of Fletcher Jones becoming a company.

This time, the party revives the annual tradition of a family Christmas party at Pleasant Hill for Fletcher Jones staff: a tradition which ended with the sale of Fletcher Jones in the late 90s.

The F Project president Dr Emma Charlton said while the group had been running markets for a few years now, the renewed focus on the FJ gardens in 2014 made it the perfect time to join forces with Bluestone Magazine, Save the Silver Ball and f project cinema to celebrate so many achievements.

“The event in September blew all of our expectations out of the water – the music, the markets, the people, the excitement. This second market builds on the September celebration in a bunch of ways: more market stalls, more food, more musicians,” Emma said.

“Not being from Warrnambool, the garden events seemed to me like a thing of legends, and to be a part of something that brings people on mass back into the Fletcher Jones gardens is more than special!”

[dropcap style=”font-size: 60px; color: #A02F2F;”] T [/dropcap]he garden party will run from 11am to 3pm and include live music, food stalls, a fashion parade, an F Project summer artists’ market and, of course, a surprise guest who may have a long white beard and a penchant for red suits.

There will also be a hanging garden installation by Art 4, together with a screening of a short films and a session of Arts on the Grass, where artists produce a work on the spot.

Among the artist stalls will be Warrnambool sculptor, painter and illustrator Damian “Macca” McDonald who will be joined by his daughter, Minapre, 14.

“I was really *%#*^&! that I was away and missed the last picnic, so this time I am really looking forward to being part of it: to getting my work out there, and being part of the terrific atmosphere in these magnificent gardens,” Damian said.

[dropcap style=”font-size: 60px; color: #A02F2F;”] D [/dropcap]amian will have a selection of his sea-inspired redgum sculptures for sale, together with a range of new drawings (you can read more about Damian’s work in our earlier story here and find him on the web here).

And while Damian is a seasoned artist, it is Minapre’s first outing with her own work. She is not quite sure how to describe it, but after some discussion we all settle on “henna inspired” drawings.

“They are like the sort of designs you can get done as henna tattoos,” she explains.

The community picnics have the full support of the new owner of the Fletcher Jones site, Dean Montgomery, who has been preparing his own surprises for the event.

One is to have the factory facade – hopefully – repainted in brilliant white by December 14 and the return of the illuminated cross that once graced the top of the silver ball – it won’t be on the ball, but a new garden installation.

[box]The Fletcher Jones Christmas Garden Party is on Sunday, December 14 from 11am – 3pm. Free entry. You can follow the F Project via The Artery page on Facebook here and keep up with progress on the Fletcher Jones site via the Save the Silver Ball Facebook page here. [/box]

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OPINION

[dropcap style=”font-size: 60px; color:#A02F2F;”] A [/dropcap] compulsory traders levy to fund Commerce Warrnambool is poised for defeat on the back of a successful grassroots campaign to knock the idea on the head.

The votes have been collated by the Warrnambool City Council, and Bluestone understands that of the 1330 traders that would be affected by the levy, 688 – or 51.7% – took the time and effort to vote “no”.

As with any vote, not everyone filled the form out absolutely correctly, or on time, and after taking such things into account, the “no” vote settles at 49.2%.

While this brings the objections just short of an absolute majority, it would be a very brave (or foolish?) council to fly in the face of such strong opposition.

As such, it is not surprising that council staff have recommended that the levy proposal be dropped when the council meets next Monday (1/12) to vote on the issue.

In addition to a trader vote, anybody could put in a submission either for or against the levy – 36 people put in submissions against the proposal, while only five wrote in support.

[dropcap style=”font-size: 60px; color:#A02F2F;”] T [/dropcap]his is nothing short of a crushing defeat for the levy and a remarkable result for the Facebook-based Warrnambool Traders Action Group which marshalled the “no” vote.

Let’s not forget that the weird voting system applied by the Local Government Act meant that only traders who objected to the levy had to physically vote.

Those who didn’t respond were seen as being in support of the idea, even if, for example, they were interstate, sick, or may have been too busy or otherwise distracted by life events to put pen to paper.

Given this, 688 objections and 36 submissions against the levy is a huge show of dissatisfaction and an indication of how angry most traders are that the idea made it this far.

Because let’s be frank, the proposal never got off to a good start.

[dropcap style=”font-size: 60px; color:#A02F2F;”] B [/dropcap]luestone readers will recall that most traders only discovered the full extent of the levy after reading our story back in May, when it was revealed that Commerce Warrnambool wanted to raise $600,000 a year by applying a compulsory levy to all traders, including those in the industrial estate.

The levy would be in place for five years and rise by 5 per cent a year, with Commerce Warrnambool in charge of deciding how the money would be spent on promoting the city, encouraging people to shop local and lobbying on behalf of business.

Nobody doubts that local business needs a serious boost, but asking them to fund a newly formed body that had yet to demonstrate its capabilities in marketing, promotion or advocacy was ambitious, at best, and naive at worst.

After a trader backlash, led by the Warrnambool Traders Action Group, the levy total was halved to $300,000 a year and capped at $300 a year per business.

Despite this, the proposal failed to ignite any excitement and the revised Commerce Warrnambool business plan contained very little that had not been tried before, such as shop local campaigns, Christmas decorations and car raffles.

The talk around town – and we heard it everywhere we visited – was not how great the levy idea was, but how to get rid of it.

[dropcap style=”font-size: 60px; color:#A02F2F;”] G[/dropcap]iven the council has since received only five written submissions in favour of the levy, it appears that even the 12 members on the Commerce Warrnambool board have not been inspired to each write a letter of support.

And so the levy will – or should – be put out of its misery on Monday.

The question now is where to from here for Warrnambool business? As we wrote last week, the latest local business survey indicates these are glum times for many businesses, which is such a contrast to what we saw when travelling through Traralgon earlier this week.

This slightly smaller city than Warrnambool was jumping: a few empty shops, yes, but still bustling.

Traralgon is the biggest city between Pakenham and Canberra and Warrnambool is the biggest city between Geelong and Adelaide: they should both be thriving.

Could it be the free, timed parking in Traralgon that helps? Lower rents? A mix of big-name stores (Officeworks, Big W, Harvey Norman etc) and niche traders?

This is the conversation we are still yet to have.

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You can find earlier Opinion pieces here…

Sucking the wind out of Portland’s sails

Fun4Kids: the missing bits

Fun4Kids faces axe after cost blowout

We reveal the ‘mystery man’ behind $20m apartments

Granny’s Grave buried in bureaucracy

All words, no funding, for Fletcher Jones story

Grappling with the work of a predator

[box]In the lead-up to the Nov 29 state election, Bluestone Magazine invited candidates from the three major parties – Liberal, ALP and Greens – to tell us why they were running for the seat of South-West Coast. Michael McCluskey is an Independent candidate who contacted us with his response to this same question. He has chosen a question and answer style.[/box]

[dropcap style=”font-size: 60px; color: #A5CECD;”] W [/dropcap]hy have you decided to run? 

I have held a long term frustration with the way our political system operates, particularly in regard to the lack of science-based, ‘bigger picture’ thinking amongst our politicians. The quote ‘A statesperson thinks about the next generation whilst a politician thinks about the next election’ rings very true to me.

What skills do you believe you can offer the community and the electorate? 

I believe my diverse background, in particular my strong grounding in science, would be an invaluable asset to our current political system. Initially I worked as a dairy farm hand for 3 years before joining the Federal public service as an Employment Officer.

After leaving this role I then went to spend the next 24 years as a veterinarian, serving the agricultural industry and then later the equine (horse) industry. I have also completed extra university study with units in Psychology and Economics, and obtained entry into the Australian College of Veterinary Scientists.

What are the main issues affecting our community?  

I believe the main issue affecting us is the level of violence within the community. Until we more effectively deal with this issue our four main well beings – economic, social, environmental and animal well being – will never realise their full potential.

[dropcap style=”font-size: 60px; color: #A5CECD;”] W [/dropcap]hat other issues are important to you?  

Health care– Currently our pets and racehorses receive access to a better healthcare system than what most humans do, particularly in relation to surgery waiting lists. A well funded and wisely operated health system, with timely access to needed care will bring greater economic and social well being both in the short and long term.

Education– If we look at any community throughout the world there is little doubt access to education is a key determinant of how well a society functions, both economically and socially. Whether one takes a trade, university or other creative pathway, we need to do all we can to maximise access to these pathways, including restoring the TAFE system.

Public transport– an efficient, well funded public transport system, along with the provision of quality roads will produce a significant boost to the economic, social and environmental well being of all our communities.

Fracking for natural gas mining– the known short term and unknown long term risks associated with injecting many millions of litres of chemically laden fluids into the ground/aquifers outweighs the potential benefits. It took politicians nearly 80 years to acknowledge lead in petrol was harmful to our children. For the sake of our grandchildren we can’t afford to wait another 80 years on this issue.

[dropcap style=”font-size: 60px; color: #A5CECD;”] W [/dropcap]hy didn’t you run through a political party? 

My concern is once in the party system, the ability to speak one’s mind and act with one’s head and heart can be stifled, which for me defeats the purpose of being in politics in the first place. If we can’t vote with our conscious on every issue, are we really being true to ourselves and to our electorate?

How can we fund these important issues you have raised? 

Reducing wastage within our system is one key component. $100 wisely spent is better than $1000 poorly spent. Tapping into some of the billions of dollars entering our superannuation system presents an opportunity as well. It would help fund vital projects in healthcare, education and public transport, as well giving super funds a safe, alternative asset class in which to invest in. In the ‘chase for yield’ there is already concerns about asset prices being pushed beyond fair value due to pent up investment demand.

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